American Beethoven Society Research Award
The American Beethoven Society is pleased to announce the winner of the 2025 Beethoven Research Award. The award goes to Nicholas Chong for his book The Catholic Beethoven (Oxford University Press, 2024). This book offers new perspectives on the role of
                  German Catholicism in Beethoven’s life and art. Contrary to traditional accounts of
                  Beethoven as generally opposed to dogmatic and traditional aspects of organized religion,
                  Chong’s book argues that Beethoven’s religious outlook was shaped by ideas associated
                  with the German Catholic Enlightenment in ways that profoundly influenced his religious
                  music. The book combines rigorous historical contextualization with detailed musical
                  and textual analysis, and truly shifts our understanding of Beethoven’s religious
                  convictions, running against the grain of much Beethoven reception in scholarship
                  and the popular imagination.
The award goes to Nicholas Chong for his book The Catholic Beethoven (Oxford University Press, 2024). This book offers new perspectives on the role of
                  German Catholicism in Beethoven’s life and art. Contrary to traditional accounts of
                  Beethoven as generally opposed to dogmatic and traditional aspects of organized religion,
                  Chong’s book argues that Beethoven’s religious outlook was shaped by ideas associated
                  with the German Catholic Enlightenment in ways that profoundly influenced his religious
                  music. The book combines rigorous historical contextualization with detailed musical
                  and textual analysis, and truly shifts our understanding of Beethoven’s religious
                  convictions, running against the grain of much Beethoven reception in scholarship
                  and the popular imagination.
Nicholas Chong is Assistant Professor of Musicology at Rutgers University.
Award details
Each year the society awards a $1000 prize to an early-career scholar for outstanding
                  work published in the previous calendar year. Work relating to Beethoven should form
                  a significant component of the publication, but it need not be the exclusive or even
                  primary focus. Articles, books, and scholarly editions are all eligible, and we define
                  “early-career” as no more than twelve years beyond the completion of a graduate or
                  postgraduate degree. The published work must be in English. The selection committee
                  consists of members of the editorial board of the Beethoven Journal.
 Matthew Pilcher won for his essay “Beethoven’s Erste Liebe, Himmelslust, WoO 92: Sources,
                              Languages, Text-Setting,” from Manchester Beethoven Studies, ed. Barry Cooper and
                              Matthew Pilcher (Manchester, 2023). This is a thorough and perceptive study on an
                              often-neglected part of Beethoven’s compositional output that presents new material
                              and new conclusions with clear significance to Beethoven scholarship. From its rigorous
                              examination of source material to its contemplation of Erste Liebe in Beethoven’s
                              compositional development, Pilcher’s essay invites us to devote more serious attention
                              to Beethoven’swork as a vocal composer and to his early works more generally.
Matthew Pilcher won for his essay “Beethoven’s Erste Liebe, Himmelslust, WoO 92: Sources,
                              Languages, Text-Setting,” from Manchester Beethoven Studies, ed. Barry Cooper and
                              Matthew Pilcher (Manchester, 2023). This is a thorough and perceptive study on an
                              often-neglected part of Beethoven’s compositional output that presents new material
                              and new conclusions with clear significance to Beethoven scholarship. From its rigorous
                              examination of source material to its contemplation of Erste Liebe in Beethoven’s
                              compositional development, Pilcher’s essay invites us to devote more serious attention
                              to Beethoven’swork as a vocal composer and to his early works more generally.